Articles populaires – bakedbeanz

28 août 2006

2. Two landscape photographers Paradoxically, it

2. Two landscape photographers Paradoxically, it seems that while photographers were conforming to a pictorial vision, as Cameron did, they were at the same time calling it into question as they were essentially questioning the relationship between photography...

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28 août 2006

III. B. 1. b) A new representation of motion In

III. B. 1. b) A new representation of motion In 1878, British photographer Eadweard J.Muybridge, who worked for the American government, proved, with the help of instantaneous photographs, that at some point in a horse’s gallop all its legs were off the...

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28 août 2006

III. THE EVOLUTION A. A Reactionary Blur

III. THE EVOLUTION A. A Reactionary Blur Pictorialists demonstrated that a mechanical process, the camera, if used in artistic ways could be an art. They used one of the proper characteristics of this tool, the blur, to emphasize the artistic qualities...

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28 août 2006

BLUR IN ENGLISH PHOTOGRAPHY OF THE 19TH C.

BLUR IN ENGLISH PHOTOGRAPHY OF THE 19TH C. Mémoire rédigé en anglaisSous la direction du Professeur François BrunetMaster « Arts et Culture Visuelle dans les pays anglophones » Session de Juin 2006 Thanks to : François Brunet, Michel Frizot, Julia Margaret...

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28 août 2006

I. THE APPEARANCE A. A Context To understand how

I. THE APPEARANCE A. A Context To understand how the use of blur was introduced in English photography, it is necessary to present the different photographic processes of the 19th century. As a matter of fact, the various uses of these photographic processes...

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28 août 2006

B. Two Forerunners The great universal Exhibition

B. Two Forerunners The great universal Exhibition of London in 1851 where about 700 photographs were exhibited from six different countries and other exhibitions like the one of the Society of Arts in 1852 gradually accepted photography as a Fine Art....

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28 août 2006

BIBLIOGRAPHY BOOKS AUBENAS, Sylvie (dir.),

BIBLIOGRAPHY BOOKS AUBENAS, Sylvie (dir.), Gustave Le Gray, 1820-1884, Bibliothèque nationale de France, Gallimard, 2002 BALDNER , Jean-Marie & VIGOUROUX, Yannick, Les Pratiques Pauvres, du sténopé au téléphone mobile, Paris, Isthme éditions, 2005 BARTHES...

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28 août 2006

CONCLUSION In the study of the use of blur in

CONCLUSION In the study of the use of blur in English photography of the 19TH century I have distinguished several aspects from its appearance, development and evolution. One of the major and primary aspects of the blur is its adhesion to the image. In...

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